There are key elements why a flick will tank at the Box Office -- some happen behind the scenes -- (as with 'Delgo,' the least-attended film ever to open on 2,000 screens -- we'll get into that in a second) -- and some of it end actually ends up on the big-screen making you choke on your popcorn.
'Not just pointing at Samuel L. Jackson's over the top camp-noir-of-a-mess in the Spirit -- that's not his fault alone.
You can have a visually stunning looking film -- but, really, doesn't it all start with a well crafted script -- (a compelling story, NO?).
I've taken some time to think over what went wrong (and it wasn't just bad directing) -- Frank Miller does get the brunt of the shrapnel here for his diva-mess of a screenplay for the film The Spirit...
here are my random thoughts (that someone shoulda' pulled Miller over on the side and chatted him over):
- FILM GENRE: What is it? Film-Noir? -- Or a Slapstick Comedy?
One of the first rules of writing a screenplay is that you have to very quickly set the tone -- or the ground rules to keep the audience...well grounded...in that world. I think it's balls-on to mix things, hey I'm a big fan of messy things...but, you do need some rules of the road and you need tell me those rules or it falls apart and I'm out of the story scratching my head...
- BACKSTORY: Another complaint in the Spirit, at least one of mine, was how long it took for us to get the Backstory -- about an hour into the film. I might have forgiven how uncomfortable the Lead Actor seemed to be on what note to play the scripted dialogue if I knew some of the backstory, I'm easy like that.
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